Logic pro mixing11/8/2023 Regarding the last leg of this conversation, and any confusion - I'm pretty confident that Logic Pro X is fully delay compensated, end-to-end on the mix paths. I would be looking elsewhere to track down the cause of such issue. While I can’t be certain, in decades of plugin use I’ve never seen any brand of plugin that does not report and get latency compensated correctly in Logic. It may be possible you don’t have Delay Compensation preference set to “All”. The compressor example you use above may suggest not all the signal is processed. Do it all on single channels and Aux‘s before sending to physical outputs. If you are using more than 2 physical outputs to do analog summing outside the box then follow what I said above and avoid output channel processing. If you’re actually summing to stereo in Logic then there is no problem adding final mix bus processing on strereo out since it is the final stereo stream. So in answer to your first paragraph do all sweetening on single and aux grouped audio streams before sending to an actual Output and into the analog world.Īux into Aux into Aux in Logic is not a problem. All I have suggested is doing ALL processing everywhere else except on the “Output Channel” even though it has insert slots. If you do all processing on single channels and groups of channels using an Aux channel and then send the Aux output to an “Output Channel” Logic will delay compensate everything up to but not including the “Output Channel”. Logic usually calls these Stereo Out, Output 3/4 etc. ALL audio to leave logic must travel through an Output channel. Really happy to hear this works so well for you as I have been interested in summing but worried about it as Summing isnt super common within the Logic X community. If I send a parallel 1176 off of the vocal Logic's Compressor doesn't phase, but many other 3rd party compressors do. Logic's current delay comp cant handle those type of incurred latency numbers.įor example on a vocal that is going to the LEAD aux. This aux on aux chaining in logic is what seems to cause problems but a very common workflow for PT users as PT doesn't have "low latency monitoring" so the only we to be able to cut audio on a big session is to keep your master bus processing on a master aux not the master fader. The master bus itself does not have anything on it except for a limiter to be safe. and all of those auxes go to an ALL MUSIC aux with master bus processing. My session is set up so that everything goes to group auxes. To clarify, processing on actual "output objects" meaning you don't put any plugin processing on the group auxes going to the summing mixer? I think the original question in this thread was asking a way to be able to send to a summing mixer with the ability to sweeten up those groups before they go out to the analogue world.Ĭoming form pro tools I have noticed that workflows in that DAW cause delay comp issues in logic. Any additional sweetening for groups gets done OTB.Ĭlick to expand.Thanks for the response. I too use 16 channels of analog summing through a pair or Cranbourne Audio 500Adat racks and don’t have any delay compensation issues but then apart from my drum group and synth stacks I rarely use plugin processing for a group. I note you describe doing this but still you mention compensation issues? Care to elaborate on that?ĭoes everyone know about the Global Preferences/ Audio/ General setting for compensation? This should be set to “All” when mixing. To Aron Forbes, I’m guessing you’re referring to the fact that Logic does not delay compensate physical outputs? It’s a simple workaround to route groups of channels through an aux to get compensation calculated before the audio hits the physical output object. If you assign any tracks to a physical Aux channel then you can add any inserts there AND that same fader can be the master fader for the output it feeds making sure the actual output channel is left at unity. To Captianmarko, I’m not sure what you’re hoping to get that isn’t already there.
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